Tag Archives: Spirits

 

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Jack Reynor and Bella Heathcoate in “Strange Angel”

Did you see the first season? I loved it. We’re still waiting to hear if the show has been renewed for a second season.

The post below really sums up my thoughts about “Strange Angel” – the CBS series on rocketry scientist and Magick practitioner Jack Parsons. Although many of the ritualistic sequences are presented out of sequence or completely fabricated, I’m thrilled that Thelema is finally being created for a mainstream audience.

What do you think of it?

Here’s the article by Peter Pendragon:

“Be blessed in the name of man. And if any god deny you for this, I will deny that god.”
– Jack Parsons

“On June 14, 2018 e.v. the CBS All Access service premiered Strange Angel, a streaming series based on George Pendle’s book, Strange Angel: The Otherworldly Life of Rocket Scientist John Whiteside Parsons.

There have been several reviews from the usual media outlets (Variety, The Hollywood Reporter, etc.) as well as some preliminary dismissive comments online from my fellow Thelemites with regards to its historical accuracy, and the critics, Thelemic and otherwise, have been decidedly mixed in their opinions. So was the show any good? This first ever media portrayal of one of the most prominent Thelemites in the 20th century, who helped found the Jet Propulsion Laboratory — how was his history, his memory treated in this first of its kind program?

Yes, it was a fictionalized account with most of the characters names changed from their real life counterparts, or in some cases new people invented out of whole cloth. But the pilot’s inherent narrative, its juxtaposed elements of science and Magick, and its full throated embrace of Thelema itself is what stood out to me. “Do what thou wilt” is not just used in the show’s advertising as a summer series catchphrase — it actually provides a link to the narrative that is important in establishing the main themes of the pilot.

The cast is solid, the writing is allowed to take its time and explore the world of the series, and, visually, the show is a typical treat we have come to expect from Ridley Scott, who also produces The Man in the High Castle, which shares this show’s high end production values. Honestly, it was weird, surreal watching this, after having been in the O.T.O. for so long, recognizing the many easter eggs left for Thelemites, it seems, a small group of fanboys and fangirls to cater to, but what the hell. I noticed that they were quoting Class A stuff directly, and, God love ‘em, they even got the “A Ka Dua” mantra right. Now, they did modify the rituals, of course, which I frankly expected — it’s that the pilot was able to get so much right that was surprising. Yes, it’s weird watching what is essentially a streaming soap opera set in the early world of Magick and Thelema, but maybe now, after all these years of dwelling in the countercultural underground, perhaps it is time for the story of Jack Parsons and the O.T.O. to come out of the shadows.”

Frater From Another Mater

via Strange Angel: Darker Than You Think

Planetary rewind

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Unknown artist

Mars Retrograde: Jun 26-Aug 27.
Mercury Retrograde: July 26-Aug 18.
Let’s start with Mars.

How have things been in your life the past week? Mars (drive, courage, conflict) is retracing his steps through Aquarius – effecting our ambitions. A Mars retrograde isn’t common, and when it happens each of us needs to refocus our energies inward and solidify the foundations of our plans.  Nourish your body, get some rest, research your path and work behind the scenes.

Men in particular can be very effected by a Mars retrograde. The men in our lives might need more space and quiet time to reflect on their identities and path forward. It’s a time for all of us to be patient with one another, and to seek peace and comfort.

There are seven celestial bodies currently retrograde: Mars, Jupiter, Saturn, Chiron, Pluto, the North Node and Neptune. Mercury will join them July 26th. This means from June 26 through September 6, we’ll have the majority of planets retrograde at once!
The last time our country experienced this many retrogrades was late 1943 and early 1944. These retrogrades (plus upcoming eclipses!) signal a turning point in our lives, our country and the world. In 1943, our planet faced another turning point — the horrors of World War II and the Allied victory.

We stand at a crossroads but we will find direction by focusing on our internal growth. With Mars Retrograde you need to watch your step. Be cautious, and don’t start fights or legal action. It is a solid time to release friendships that you’ve outgrown, or end participation in activities or groups that don’t nourish us.

Prune away those things and people that are hold you down, wish you ill, or have little to offer beyond negativity. Sometimes one must accept when old friendships are truly over and can’t be repaired or “waited out.”

Mars shows up in our physical relationships. It protects and acts in accordance with the Will of our Higher Self. It is the energy and force that demands we fulfill our spiritual path in this life.

#astrologie #astrologia #astrologer #astrologue #astrolog #horoscope #horoscopes #zodiac #astrologyposts #astrologysigns #meditation #wellness #selfdevelopment #empowerment #transformation #crystals #consciousness #astrologersofinstagram #pluto #soulalchemy #cancer #cancerseason #mars #marsretrograde

Miyazaki’s Shinto spirits

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Excellent article on one of my favorite filmmakers.

The Gods and Spirits (and Totoros) of Miyazaki’s Fantasy Worlds

“There’s a moment in Hayao Miyazaki’s film My Neighbor Totoro that’s stuck with me since I first watched it a decade ago. Satsuki Kusakabe is searching for her missing sister, Mei. Looking for help, she sprints towards the huge camphor tree where the magical creature Totoro lives. She pauses for a moment at the entrance to a Shinto shrine that houses Totoro’s tree, as if considering praying there for Totoro’s help. But then she runs back to her house and finds her way to Totoro’s abode through the tunnel of bushes where Mei first encountered him. Totoro summons the Catbus, which whisks Satsuki away to where Mei is sitting, beside a lonely country road lined with small statues of Jizo, the patron bodhisattva of children.

It’s Satsuki’s hesitation in front of the shrine’s entrance that sticks with me, and what it says about the nature of spirits and religion in the film. We don’t really think of the movies of Hayao Miyazaki as religious or even spiritual, despite their abundant magic, but some of his most famous works are full of Shinto and Buddhist iconography—like those Jizo statues, or the sacred Shimenawa ropes shown tied around Totoro’s tree and marking off the river god’s bath in Spirited Away. Miyazaki is no evangelist: the gods and spirits in his movies don’t follow or abide by the rituals of religion. But the relationship between humans and gods remains paramount.”

Miyazaki’s gods and spirits aren’t explicitly based on any recognizable Japanese “kami” (a word that designates a range of supernatural beings, from the sun goddess Amaterasu to the minor spirits of sacred rocks and trees). In fact, whether Totoro is a Shinto spirit or not is a mystery. He lives in a sacred tree on the grounds of a Shinto shrine. The girls’ father even takes them there to thank Totoro for watching over Mei early in the film. But Satsuki calls Totoro an “obake,” a word usually translated as “ghost” or “monster.” Miyazaki himself has insisted that Totoro is a woodland creature who eats acorns. Is he a Shinto spirit? A monster? An animal? A figment of the girls’ imaginations? The film—delightfully—not only doesn’t answer the question, it doesn’t particularly care to even ask it.”

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“… Miyazaki’s films don’t invite us to any particular faith or even belief in the supernatural, but they do invite us to see the unexpected, and to respect the spirits of trees and woods, rivers and seas. Like Totoro and Gran Mamare, their true nature and reasoning are beyond our comprehension. Call them kami, or gods, or spirits, or woodland creatures, or Mother Nature, or the environment. They are there if we know where to look, and their gifts for us are ready if we know how to ask. We have only to approach them as a child would—like Satsuki, Mei, Chihiro, and Sosuke—with open eyes and open hearts.”