Stunning creativity! A wonderful representation of the mysterious Minoan culture of ancient Greece.
Here is the The 2004 Athens Olympic Games opening ceremony:
Stunning creativity! A wonderful representation of the mysterious Minoan culture of ancient Greece.
Here is the The 2004 Athens Olympic Games opening ceremony:
Venus Retrograde 1:09am in Aries, Saturday, March 4th, 2017.
Venus goes into the underworld to reborn on April 15th as the Morning Star. This time is a slow down or withdrawal of issues regarding women, beauty, finances, art and socializing. It’s best to accept it, be patient, journey within yourself and support friends that are doing the same thing.
Old flames could come back into the picture to remind you of lessons learned, or to attain final closure. That being said the best focus is to work on your personal relationship with love and resetting your perspectives. This could be a time of solitude, or rekindling relationships that have become stagnant. The goal is to let go of the past so you can move forward on April 15th when Venus emerges reborn.
Excellent article on the Venus cycle:
The Venus Cycle
Herald of the morning – Venus as Morning Star by Julija Simas
“In ancient Lithuanian star lore, Venus as morning star was called Aušrinė and was seen as a second Sun. as she was the first to lighten the dawn, which is also the meaning of her name . She was also the daughter of the Sun together with her evening star sister Vakarinė. These two stars were the servants of the Sun, Aušrinė would bring fire, water and soup to the Sun and her husband the Moon(the Moon masculine?? Shows how ancient these depictions are) and the evening star Vakarinė would make their bed for the night.
These 2 obvious apparitions of Venus, were often seen as 2 completely different stars, with 2 completely different identities and in many more cultures around the world. As we get to know the Venus cycle we get to see that Venus no longer is Venus just in a sign, or a house, but she is either an evening star or a morning star, and that she is also in one her of her phases as part of that apparition, which all bring much more depth and meaning to our own natal Venus. For example Venus in Gemini in the 2nd house, square Jupiter may not be enough information to describe your Venus. Do you know if you were born with an evening star Venus or a morning star Venus? An easy way to tell is, if Venus is behind your Sun in the zodiac in your natal chart she is a morning star, and if she is ahead in the zodiac in your natal chart, she is and evening star. Say your Venus is 15° Gemini, and your Sun is 10° Leo, Venus is behind in the zodiac, therefore a morning star. Or turn your chart as if the Sun is on the horizon-the Ascendant, if Venus is above the horizon she rises before the Sun and is a morning star, if she is below horizon she is an evening star. To determine what phase she is in your natal chart is a bit trickier. Which I will get to in another update.
As a renewed morning star Venus has many names and associations, as she returns to the skies to shine her light, the Venus archetype becomes one more like a warrior, Aries like, promethean, eager and keen to get on with it, on a mission I like to say.
As a morning star Venus is known as:
Oriental (rising in the east)
Lucifer (the light bringer, the angel cast out of heaven who then becomes Satan in christian bible. The sacred feminine was regarded as too potent to deal with by the patriarchy establishing itself through various religions around the globe, making out that the power of the sacred feminine was dangerous and scary and not to be used, similar to the number 666)
Lights up the morning sky, is up before the Sun
Masculine, Diurnal, Yang
A Warrior goddess
She ascends rapidly – (comes out of Sun’s beams quickly as Sun moves off ), still moving much slower than Sun
She descends slowly – as the cycle progresses she catches up with the speed of the Sun and even doubles it (before disappearing for exterior conjunction) dimming as she moves further away from Earth
Visible 6-8 days after rx conj
Venus is now on a Mission
Gains light,, then loses light -peaks in crescent shape as she waxes to become full. Note we never see Venus in fullness phase, like a full moon, as she is at that stage behind the Sun.
Begins as a crescent then waxes to fullness as she dims from our skies again toward superior conjunction
At each apparition as a morning star or evening star, Venus is known to have 7 phases(this varies depends on astronomer or astrologer) at any particular phase the characteristics of Venus are determined by Venus being either:
Morning – Evening
Earthy – Heavenly – (close to earth or farthest away)
Aphrodite Pandemos(earthy, lusty), Aphrodite Urania(heavenly, divine)
Visible or – Invisible(visiting the underworld)
Fast or Slow
Ascending or Descending
Taurus or Libra
Losing light or gaining light”
I LOVE this day… relationship or not. I just LOVE LOVE.
To everyone out there, have a wonderful Valentine’s Day ♥
I also believe this is true:
“It is Almost Certain that Between Friends There is at All Times, a Silent Communication, a Sort of Unconscious Mental Conversation Going on Subjectively when This Rises to the Surface of Conscious Intelligence, it is Called Mental Telepathy. The Communication with Others is Going On at All Times, whether the Conscious Mind is Aware of the Fact or Not. We are Always Receiving Impressions that are More or Less Vague, and It is Seldom They Come to the Surface; but They are There Nevertheless and are Gradually Building into Our Mentalities Impressions and Forms of Thought that are Unconscious and Silently Perceived.”
~ Ernest Shurtleff Holmes, The Science of the Mind: Subjective Communication (1926)
Born today… Jeanne d’Arc, 6 January c. 1412 Domrémy, Duchy of Bar, France
image: Albert Lynch (1851–1912) ~ Joan of Arc, engraving from Figaro Illustre magazine, 1903 —
” The common traits that people across all creative fields seemed to have in common were an openness to one’s inner life; a preference for complexity and ambiguity; an unusually high tolerance for disorder and disarray; the ability to extract order from chaos; independence; unconventionality; and a willingness to take risks.”
I’m so moved and saddened by the lives taken in Ghost Ship fire Friday night. When I first heard the story, I understood exactly what it was, because myself and many of my friends have attended gatherings like these many times around the Bay Area. They are exuberant, liberating, creative, inspiring and energizing events for the underground artistic community. To me, they are the heartbeat of the Bay Area, and communities everywhere. I’ve personally been inspired musically by attending these events.
But I wasn’t ready to start seeing the faces and hearing the back stories of the people that perished. I feel rocked to my core this morning; helpless and grieving for the young lives lost. To me, the artists, writers, performers and musicians of this world are hugely important and VITAL – especially as the world is becoming more conservative and protectionist. The world desperately needed to hear more from these brilliant kids, who had their whole lives in front of them.
You can read some of their stories here.
What can be said? What can be done other than to grieve? There is something each of us can do for the ones we lost. We can speak up. We can get disciplined and get to work. We can express ourselves. And we can DO OUR ART. I’m picking up my guitar today in honor of them.
Must Read for any artist or musician. T Bone Burnett’s moving keynote address given at AmericanaFest:
I have come here today first to bring you love. I have come here to express my deep gratitude to you for your love of music and of each other. And, I have come here to talk about the value of the artist, and the value of art.
When Michaelangelo was painting the great fresco The Last Judgment in the Sistine Chapel, he came under intense criticism from various members of the church, particularly the Pope’s Master of Ceremonies — a man named Cesena — who accused him of obscenity. Michaelangelo’s response was to paint Cesena into the fresco in the lowest circle of hell with donkey ears and a serpent coiled around him devouring, and covering, his nether regions, so to speak.
Cesena was incensed and went to the Pope demanding he censor Michaelangelo for this outrage, and the Pope said, “Well, let’s go have a look at it.” So, they went down to the chapel, and when the Pope stood in front of the fresco, he said to Cesena, “You know, that doesn’t look like you at all.”
See, the Pope didn’t want to jack around with Michaelangelo. Michaelangelo was making things that were going to last for hundreds of years. His stuff was going to outlive the Pope’s ability to do anything about it, so the Pope bowed to the inevitable. The Pope was afraid of a painter.
The painter could create another dimension between Heaven and Earth. Flat ceilings seemed to come down into the room in three dimensions. He painted rooms where priests and the church could sit and be transported to- and engulfed in- a higher realm, learning ancient stories- thoughts kept alive over centuries. And he did it by mixing together things he found laying around on the ground- sand and clay and plants. He was a fearsome alchemist.
Art is not a market to be conquered or to bow before.
Art is a holy pursuit.
Beneath the subatomic particle level, there are fibers that vibrate at different intensities. Different frequencies. Like violin strings. The physicists say that the particles we are able to see are the notes of the strings vibrating beneath them. If string theory is correct, then music is not only the way our brains work, as the neuroscientists have shown, but also, it is what we are made of, what everything is made of. These are the stakes musicians are playing for.
I want to recommend a book to you — The Technological Society by Jacques Ellul.
John Wilkinson, the translator, in his 1964 introduction, describes the book this way — “The Technological Society is a description of the way in which an autonomous technology is in the process of taking over the traditional values of every society without exception, subverting and surpassing those values to produce at last a monolithic world culture in which all technological difference and variety is mere appearance.” This is the core of the dead serious challenge we face.
The first nuclear weapon was detonated on the morning of July 16, 1945, at 5:29 and 45 seconds.
At that moment, technocrats took control of our culture.
Trinity was the code name of that explosion. It was an unholy trinity.
Technology does only one thing- it tends toward efficiency. It has no aesthetics. It has no ethics. It’s code is binary.
But everything interesting in life- everything that makes life worth living- happens between the binary. Mercy is not binary. Love is not binary. Music and art are not binary. You and I are not binary.
Parenthetically, we have to remember that all this technology we use has been developed by the war machine- Turing was breaking codes for the spies, Oppenheimer was theorising and realising weapons. Many of the tools we use in the studio for recording- microphones and limiters and equalizers and all that- were developed for the military. It is our privilege to beat those swords into plowshares.
We live in a time in which artists are being stampeded from one bad deal to another worse deal. No one asks the artists. We are told to get good at marketing. I have to say- and I think I probably speak for every musician here- that I didn’t start playing music because I sought, or thought it would lead to, a career in marketing.
And, as we are being told that, our work is being commoditized — the price of music is being driven down to zero.
I am working with a group called C3, the Content Creators Coalition run by Roseanne Cash and Jeffrey Boxer to develop an Artists Bill of Rights. Jeffrey is here today to meet afterward with anyone who wants to get into this. The first right artists have is the right to determine what medium they work in. The second is the right to set the price of their work.
Every person worthy of the name atist, from Rembrandt to Paul Cesanne to Picasso to Jackson Pollack
From William Shakespeare to Tennessee Williams to James Baldwin and Jack Kerouac
From Bach to Stravinski to Mahler to John Adams
Every one of those artists made art that to be understood, the world had to change.
They did not adapt to the world, the world had to adapt to them.
The technocrats suggest we crowd source.
I suggest we not.
The very thing an artist does is figure out what he likes.
The technocrats — the digital tycoons, the iTopians — look down on artists. They have made all these tools and they think we should be grateful — subserviant even — and use their flimsy new tools happily to make them ever more powerful. But we can make art with any thing. We don’t need their tools. Music confounds the machines.
So the iTopians have controlled the medium and the message for a generation now. And they are making a complete hash of things. The clearest and most pervasive proof of this is the psychedelic political season we are in, which we can see playing out in every election around the world.
Before the atom bomb, we had begun to project idealized versions of people up on screens, while the people whose images were projected would hide behind the screens, knowing they could never measure up.
After the atom bomb, we have automated that process. On facebook, everybody is a star. The idealistic, lysergic promise of the 1960’s has been mechanized, allowing us to become ever more facile conterfeiters.
The mask has become the face.
Malcolm Muggeridge said that the kingdom Satan offers a man is to the kingdom of God as a travel poster to the place it depicts.
This internet technology that has been so wildly promoted as being the key, the final solution, to our freedom, has become our prison. What the false prophets of the internet said would replace governments and nation states and commerce, and create a free world of community and sharing, has led instead to a consolidation of wealth and power that makes the monopolies of the early 2oth Century- Morgan and Rockefeller and Carnegie- look weak and ineffective.
Ethan Zuckerman, the director of the MIT Media Lab has apologized for his part in creating what he calls a “fiasco”. Tim Berners Lee, who diagrammed the schematic for our current internet on a napkin, said at Davos last year that the internet needs to be rearchitected.
Our 21st Century communication network, regarded by its early adherents with a religious fervor, has been turned into a surveillance and advertising mecnanism. The World Wide Web is just that- a web that ensnares everyone who uses it.
Artists must not submit to the demands, or the definitions of, the iTopians.
Lastly, I am here to speak specifically about American music.
This country has been led by artists from Thoreau and Emerson through Walt Whitman to Woody Guthrie, through Thelonious Monk and Charlie Parker, to Presley and Dylan to The Last Poets and Kendrick Lamar. The Arts have always led the Sciences. Einstein said that Picasso preceded him by twenty years. Jules Verne put a man on the moon a hundred years before a rocket scientist did. Medieval stained glass windows are examples of how nanotechnology was used in the pre-modern era. Those artists were high technologists, and many other things- they were aestheticians, ethicists, conjurers, and philosophers, to name a few.
They took risks. Risks a technocrat could never take. Artists risk everything in everything they do. Risk is what separates the artist from the artisan. Art is not a career, it is a vocation, an inclination, a response to a summons.
We, in this country, have defined ourselves through music from the beginning- from Johnny Has Gone for a Soldier in the Revolutionary War, to The Star Spangled Banner in the War of 1812, to John Brown’s Body and the Battle Hymn of the Republic in the Civil War, to the incredible explosion of music of the last century that was called Jazz, or Folk Music, or Rock and Roll, or Country Music- because although our music has taken many different paths, it is all of a piece and a most important part of our national identity- of US.
Music is to the United States as wine is to France. We have spread our culture all over the world with the soft power of American music. We both have regions- France has Champagne, we have the Mississippi Delta. France has Bordeaux, we have the Appalachian Mountains. France has Epernay, we have Nashville. Recorded music has been our best good will ambassador. The actual reason the Iron Curtain fell, is because the Russian kids wanted Beatles records. Louis Armstrong did more to spread our message of freedom and innovation than any single person in the last hundred years. Our history, our language, and our soul are recorded in our music. There is no deeper expression of the soul of this country than the profound archive of music we have recorded over the last century.
This is the story of the United States: a kid walks out of his home with a song and nothing else, and conquers the world. We have replicated that phenomenon over and over. We could start with Elvis Presley, but we could add in names for hours- Jimmie Rodgers, Rosetta Tharpe, Johnny Cash, Howlin Wolf, Mahalia Jackson, Bob Dylan, John Coltrane, Billie Holiday, Loretta Lynn, Chuck Berry, Hank Williams, Aretha Franklin, Jack White, Dr. Dre. That is the American Character. That is Johnny Appleseed.
At last year’s MusicCares tribute to Bob Dylan, Jimmy Carter said, “There’s no doubt that his words of peace and human rights are much more incisive and much more powerful and much more permanent than any president of the United States.” I believe that is undeniable.
That’s who the artists are. We can’t forget that.
So, in conclusion, there is this sense that the technocrats are saying, “Look, we’re just going to go ahead and do this, and we’ll sort it all out later.” As they did with the atom bomb.
As artists, it is our responsibility to sort it out now.
Barnett Newman said, “Time passes over the tip of the pyramid.” By that he meant that there is a lot of room at the bottom of the pyramid to put things, but that as time passes, gravity washes them down into the sand. But if you put something right on the tip of the pyramid, it stays there.
We aspire to put things on the tip of the pyramid. That is our preference- our prefered medium.
Digital is not an archival medium.
Technology is turning over every ten years. Their technologies don’t and won’t last.
Our art — if we do it right — will.