Tag Archives: creative process

Your brain on MUSIC

This is Your Brain on Music!

“When researchers observed brain activity in people who were reading or doing math, they noticed that certain parts of the brain would light-up. Generally, with any given activity, the brain would utilize just one specific region — however, when the researchers introduced music, something amazing happened.

Not only did listening to music cause the brain to light up in multiple areas, but when subjects began to play music, practically every section of the brain went to work in an explosive jubilee of activity!

Find out more about this mind-blowing discovery in this video.”

Source: http://blog.theliteracysite.com/this-is-your-brain-on-music/

 

Pretending You’re Creative Will Make You More Creative

young artist moulding raw clay in art studio

young artist moulding raw clay in art studio

 

“Being more creative may be as easy as pretending you are. Creativity, that abstract muse, is increasingly thought of as essential not just to artistic pursuits but also to business success. Who doesn’t want to be more creative? Or, conversely, who wants to be more formulaic and rote?

Article: http://mentalfloss.com/article/76358/pretending-youre-creative-will-make-you-more-creative-study-says

A new study by researchers at the University of Maryland indicates that, much like how stereotypes about women being bad at math can lead to women performing worse on math tests, treating yourself like a stereotypical creative genius can lead to more creative thinking. In two different experiments detailed in PLOS ONE, the researchers primed more than 200 undergrads majoring in several different forms of art or science to imagine themselves as either a stereotypically creative professional (“an eccentric poet”) or a stereotypically stodgy one (“a rigid librarian”). The students then completed the Uses of Objects Task, a standard psychology test to measure creativity (as you might guess, you brainstorm various uses of objects). A control group completed the task without being primed to imagine themselves as having any specific characteristics or jobs.

The researchers found that the ability to think outside the box isn’t a static personality trait. It’s malleable, and influenced by stereotypes. Students who imagined themselves as eccentric poets were able to think of more (and more original) uses for objects like bricks than students in the control group. Students who imagined themselves as rigid librarians came up with significantly fewer creative uses than the control group. Not only did thinking of themselves as eccentric give students a creative boost, but thinking of themselves as rigid became an impediment to creativity.”

What a good excuse to declare yourself an artist and act super wacky.

[h/t Pacific Standard]

Never waste an Idea

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David Bowie and Iggy Pop, 1977

 

Learning about Bowie’s creative process has been illuminating over the past few weeks since his untimely death. Read Iggy’s perspective below, it’s great:

Iggy Pop has written a new essay immortalizing his late friend and collaborator David Bowie. In the days immediately following his death, Pop paid tribute to the Thin White Duke with a heartfelt reflection. “He resurrected me,” Pop wrote at the time. “He was more of a benefactor than a friend in a way most people think of friendship. He went a bit out of his way to bestow some good karma on me.”

Now, for the latest issue of Rolling Stone, Pop has expanded on his relationship with Bowie, specifically discussing his musical impact.

“I learned a lot from him. I first heard the Ramones, Kraftwerk and Tom Waits from him. He also had a certain rigor. If he saw something in another artist he admired, if they didn’t pick up that ball and run with it, he didn’t have any problem saying, ‘Well, if you’re not going to do it, I will. I’ll do this thing you should have done.’ And that was very valid…

“David was not a person to waste a piece of music: Never waste an idea. I first heard his 1980 song ‘Scary Monsters (And Super Creeps)’ when we were in a house on Sunset Boulevard in 1974. It was called ‘Running Scared’ at the time. He was playing it on the guitar and wanted to know if I could do something with it. I couldn’t. He kept it and worked it up.

“That was another big thing I learned: Don’t throw stuff away.”

In 1972, Bowie confronted Pop about his escalating drug addiction, encouraging him to move to London to work on music. There he teamed with James Williamson to pen what would become The Stooges’ crown opus, Raw Power, which was mixed by Bowie himself. Three years later, Bowie and Pop moved to Berlin together with the hope of kicking drugs for good. When not recording his own trilogy of albums, Bowie worked with Pop on his solo debut, The Idiot, and follow-up, Lust For Life.

Read the full tribute at Rolling Stone.

In related news, Pop has teamed up with Queens of the Stone Age’s Josh Homme to release a sort-of sequel to Lust For Life called Post Pop Depression, out March 18th.